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Annabelle Comes Home is a 2019 American supernatural horror film based on the legend of the Annabelle doll. It serves as a sequel to 2014’s Annabelle and 2017’s Annabelle: Creation, and as the seventh installment in the Conjuring Universe franchise. The film is written and directed by Gary Dauberman in his directorial debut, from a story co-written with James Wan. Wan also produced the film with Peter Safran. The film stars Mckenna Grace, Madison Iseman, and Katie Sarife, along with Patrick Wilson and Vera Farmiga, who reprise their roles as Ed and Lorraine Warren.
The film was theatrically released in the United States on June 26, 2019. It received mixed reviews from critics and has grossed $219.7 million worldwide.
In 1968, demonologists Ed and Lorraine Warren confiscate the Annabelle doll from nurses Debbie and Camilla, who claim that the doll often performed violent activities in their apartment. During the drive back home, the doll summons spirits to attack Ed, but he narrowly survives. Annabelle is locked in a sacred glass case in the couple’s artifacts room that is blessed by Father Gordon to ensure the evil is contained.
Four years later, the Warrens welcome Mary Ellen, who will be in charge of babysitting their daughter, Judy, at the house while they travel overnight to investigate another case. At school, Judy notices the spirit of a priest that begins following her. Mary Ellen’s friend Daniela arrives uninvited to the Warrens’ home, who is secretly curious about speaking to the dead. She sneaks into the artifacts room and starts examining artifacts, ultimately trying to contact her late father. She abruptly leaves Annabelle’s glass case unlocked, and the terror begins shortly afterward with the spirit of Bee Mullins unleashed. That night, Annabelle begins releasing other spirits, such as the Ferryman, the Bride, a Feeley Meeley board game, and the Black Shuck.
Mary Ellen’s crush Bob Palmeri arrives outside and serenades her, but is later attacked by the Black Shuck and hides in the Warrens’ backyard. Mary Ellen is tormented by the Ferryman, while Judy is confronted by Annabelle in her bedroom. Daniela had left earlier, but sneaks back to return the artifacts room’s keys. She gets locked inside the room and tormented by various objects, such as a piano and an old television that can predict the near future. She finds the Mourner’s Bracelet and sees her father twisted into a malevolent spirit. A bloody and screaming Daniela appears on the television screen after having answered a cursed telephone. The real Daniela later unwittingly reaches to answer the telephone, but is interrupted by Judy and Mary Ellen.
Judy explains that they must lock Annabelle in her case again so the other spirits will rest. Bob protects Judy from the Black Shuck as she retrieves Mary Ellen’s asthma inhaler, while Daniela is attacked and possessed by the Bride. Eventually, Mary Ellen and Judy find the doll when the priest’s spirit, acting as Judy’s guardian, guides them to the Ferryman. They manage to retrieve the glass case’s key after they are attacked by demonic hands from the Feeley Meeley board game and a possessed Daniela, but struggle to secure the case as the demon of the doll physically attacks them. Daniela recovers when Judy had played Ed’s recorded footage of the Bride’s exorcism, and helps replace the doll. After the case is locked, the disturbances cease as the spirits return to their slumber, and Bob reunites with the trio.
Ed and Lorraine return the next morning and the girls approach them to recount the eventful night. Daniela apologizes to Lorraine, who gives her a comforting message from her father. Later, many friends gather to celebrate Judy’s birthday party.